【2026臺灣舞蹈平台】《身體實驗場：亞洲焦點》 Body Lab: Focus Asia

郭爵愷《搏筊 Pua̍h-pue》第23屆台新藝術獎表演藝術類入圍作品，2025以精準的現代舞肢體混雜高難度的街舞技巧，在詼諧輕鬆的結構下，將臺灣民俗中擲茭求神的儀式巧妙地轉譯為舞作。 / 黎家寬，PAR雜誌，2025連演出人都無法掌握結局的《搏茭》，緊抓住觀眾的目光 / 陳品秀，ARTalks, 2024搏茭，看似詢問神明心意的動作，筊由擲出到落地的每一段拋物線，都是聆聽心意的歷程。在筊的正反之間，呈現多少個人的選擇權與自主權？搏筊的答案是神明意志的體現，還是僅僅是人們過宗教對於內心渴望的一種展現。 新加坡：謝里夫丁・沙哈里 《臀廓2》以臀部為核心的動作語彙，鬆動固有概念並反覆詰問，拆解這些身分並存時所蘊含的複雜關係與相互牽連。在每一次精準推進的步伐與臀部律動之間，《輪廓²》引領觀眾進入一個既複雜又充滿魅力的世界——現代人在尋找自我時遇到的熟悉場域， 探索在同一具身體中顯現的場所與身份之間的相似性。 臺灣：林品碩《拋接的身體-之二》林品碩的思考絕非沉悶乏味。如果我們轉向物理學定律，甚至是牛頓的質量與運動原理呢？舞蹈向來是對時間與空間的探索。/ 舞蹈構作 How Ngean Lim作品的核心圍繞著墜落的物理力量，以及人在重力與高度所帶來危險中，為求生存而產生的本能反應。 / 台北時報，2026對林品碩而言，創作如同拋接，在出現與消失之間持續推進——每一次落下，都是下一次起飛的開始。從拋與接、歸零與速度之間，拆解、生成持續變動的身體狀態。 / Vogue Taiwan，2026在拋接的過程中，物體經過初速、加速、減速，達到「歸零」。那⼀刻，時間與空間凝滯了。下⼀刻會發⽣什麼？接住，或是墜落。從物理現象與動能出發，提煉純粹的身體語彙，為觀眾帶來一種嶄新的身體觀看方式。 韓國：河志惠 《P.R.I.D.E.S.》創作靈感來自英文字母重組，PRIDES 重新排列後轉化為SPIDER，成為作品的核心隱喻，在不可見的空間中不斷重組與編織線條，突如其來的光束轉化了舞者的能量與方向，字母排序重回原狀，更象徵重回自身世界的主導。 / MoMM舞蹈雜誌，2025韓國國際獨舞節。《P.R.I.D.E.S.》的創作起點，來自一個單字的字母重組。字母的重新排列也成為重新調整觀看方式的隱喻——當我們再次凝視，意義便可能轉變；那些曾被忽視或貶抑的事物，也可能蘊藏意想不到的重要性。 作品試圖重新回顧並詮釋那些似乎早已流逝的時間，如同一段尋找的旅程，去發掘那個連自己也未曾完全理解的自己。日本：高橋萌登《仄仄》怪談故事中「難以言喻卻又真實存在的孤獨」與嘻哈文化中「肯定個體自我力量」的核心精神，巧妙呼應連結。 / Takao NORIKOSHI，日本舞蹈雜誌。《仄仄》以當代舞蹈重新詮釋日本怪談，融合古典芭蕾與嘻哈，將悲哀與難以言喻的情感轉化為身體語彙，構築出充滿日本感性的靜謐氛圍。 以色列：奧爾・瑪琳 《瞬息與共》2023年鹿特丹國際雙人舞編舞競賽(RIDCC)入圍作品2022年西班牙大加那利島MASDANZA國際舞蹈節最佳編舞第三名雙人舞作《瞬息與共》開啟兩位舞者之間對於「親密」的深層對話。 透過一只口琴共享氣息，生成一個關於「親密」的聲音。 氣息化作聲響，身軀相依化為樂器，展現人際之間緊密的連結與疏離。 Taiwan：KUO Chueh-kai Pua̍h-pue-Divination BlocksNominee, 23rd Taishin Arts Award, 2025Through precise contemporary dance movements blended with high-level street dance techniques, the work transforms the Taiwanese folk ritual of divination blocks into choreography within a witty and light-hearted structure. / LI Chia-kuan, PAR Performing Arts, 2025A performance whose ending even the performers themselves cannot control, gripping the audience’s attention throughout. / CHEN Pin-hsiu, ARTalks, 2024The answer given by Pua̍h-pue is a manifestation of the divine will, or merely an expression of personal inner desires connected through religious experience? Singapore：Syarifuddin SAHARIKontur2 A solo dance performance. Using hip-based vocabularies as tools to destabilise and interrogate, Kontur² unravels the complications and the complicity of these identities existing together.With each considered step and shake of the hip, Kontur² draws the audience into a world that is complex yet beguiling, a familiar place for the modern day person who is looking to know themself. Taiwan：LIN Pin-shuo Catch and Throw- Part TwoLIN’s thinking is anything but dull. What if we turn to the laws of physics and even Newton’s principles of mass and motion. Dance has always been a study of time and space. / By How Ngean LIM, dance dramaturg and founding director of Asian Dramaturgs’ NetworkFor LIN Pin-Shuo, choreography is like the act of throwing and catching—propelled forward through cycles of appearance and disappearance. Every fall marks the beginning of the next ascent. Between throwing and catching, stillness and velocity, the work continually deconstructs and regenerates ever-shifting bodily states./ Vogue Taiwan, 2026 In throwing and catching, the object moves through acceleration and deceleration until itreaches zero. At that instant, time and space freeze. What comes next—catch, or fall? Moving away from narrative-driven structures, the work begins with physical phenomena and kinetic force, distilling a pure bodily vocabulary and offering audiences a renewed way of seeing the body. Korea：HA Jihye P.R.I.D.E.S.Inspired by an anagram, P.R.I.D.E.S. which can transform into SPIDER serves as a central metaphor. Her gestures resemble a spider spinning threads in midair, endlessly rearranging invisible lines in space. A sudden beam of light redirects the performer’s energy, leading her from instinctive repetition toward openness and self-recognition. In this transformation, the rearranged letters return to their original order: P.R.I.D.E.S., suggesting the pride of becoming the subject of one’s own world./ Dance Magazine MoMM, Vol. 367, 2025 Monotanz Seoul.P.R.I.D.E.S. began from an anagram of a single word. The act of rearranging letters became a metaphor for rearranging perception—suggesting that meaning can shift when we look again, and that what once felt fixed or diminished may hold unexpected significance. This work is an attempt to revisit and reinterpret the meaning of time that once seemed to have slipped away. It is a journey toward discovering a version of myself that even I did not fully know. Japan：Moto TAKAHASHI Faintly HereThe piece illuminates an unexpected closeness between the “inexplicable yet present solitude” embedded in ghost stories and the “strength to affirm the individual self” at the heart of hip-hop . / Reviewed by Takao NORIKOSHI, Dance Magazine, 2026. Faintly Here reimagines Japanese ghost stories through the lens of contemporary dance. Fusing classical ballet and hip-hop, the work distills what kaidan truly carries — sorrow, indescribable sensations that take root in the heart, and the warmth within silence — conjuring emotions and atmosphere that are distinctly Japanese. Israel：Or MARIN Breathe with Me a MomentFinalist at 5th RIDCC- Rotterdam International Duet Choreography Competition, 2023.3rd prize for best choreography, 27th MASDANZA International Dance Festival, Gran Canaria, Spain 2022. The duet Breathe with Me a Moment is a window for intimate dialogue between two dancers. The duet Through the shared breath into the harmonica, a sound of intimacy comes to life. It connects the two bodies and turns them into one musical instrument with two lung spaces and one note that emerges from their bond.演出人員名單臺灣：郭爵愷《搏筊 Pua̍h-pue》編舞│郭爵愷演出│陳郁錡、徐立恩 新加坡：謝里夫丁・沙哈里 《臀廓2》編舞、演出│謝里夫丁・沙哈里臺灣：林品碩《拋接的身體-之二》編舞│林品碩演出│林品碩、林胤廷韓國：河志惠 《P.R.I.D.E.S.》編舞、演出│河志惠音樂設計│金大熙 日本：高橋萌登《仄仄》編舞、音樂設計│高橋萌登演出│高橋萌登、中谷友紀以色列：奧爾・瑪琳 《瞬息與共》編舞│奧爾・瑪琳演出│陳郁錡、徐立恩原版舞者│烏里・迪克，托莫・吉亞特Taiwan：KUO Chueh-kai Pua̍h-pue-Divination BlocksChoreography: KUO Chueh-kaiPerformer: CHEN Yu-chi, HSU Li-enMusic: Nu_ChanicSingapore：Syarifuddin SAHARI Kontur 2Choreography, Performer: Syarifuddin SAHARILIN Pin-shuo Catch and Throw- Part TwoChoreography: LIN Pin-shouPerformer: LIN Pin-shou, LIN Yin-tingKorea：HA Jihye P.R.I.D.E.S.Choreography, Performer: HA JihyeMusic: KIM Dae-hee Japan：Moto TAKAHASHI Faintly HereDirection, Choreography, Music: Moto TAKAHASHIPerformer: Moto TAKAHASHI, Yuki NAKATANIIsreal：Or MARIN Breathe with Me a MomentChoreography : Or MARINPerformer: CHEN Yu-chi, HSU Li-enOriginal Cast: Uri DICKER, Tomer GIAT