衛武營芭蕾舞劇《遇見胡桃鉗》 Ballet at Ｗeiwuying - Into the Fantasy of Nutcracker

一部超越百年歷史的經典芭蕾舞劇《胡桃鉗》，歷經俄羅斯古典體系、美國主流舞團及當代編舞家之多重轉譯，從彼季帕的結構原型，到巴蘭欽的聖誕經典，再到紐瑞耶夫與伯恩等人的當代詮釋，跨越古典與現代，遊走傳統與實驗。 2023年，匯聚多元藝文能量的國家藝文場館－衛武營國家藝術文化中心，啟動為期三年的芭蕾舞劇製作計畫，集結國內藝術家與在地舞者，並延伸教育與人才培育，透過產學合作邀請學生設計並製作芭蕾舞衣；同時結合衛武營劇場藝術體驗計畫，媒合高雄市國小合唱團登台演出 ，攜手打造出專屬臺灣自製版本《遇見胡桃鉗的女孩》，並在2025年正式問世首演。今年，衛武營再次邀請你在聖誕季，走入胡桃鉗的奇幻世界。看見一位在成長中的女孩，在現實與夢境中交錯，回望學習歷程與成長記憶，面對逐夢的艱難與生活的壓力，在半夢半醒的奇幻之中，劇中角色陪伴她「面對挑戰，生出勇氣」，最終女孩如糖梅仙子一般的成熟堅韌及美麗。 這個冬季我們在沒有下雪的城市裡，做著胡桃鉗的夢，繼續勇敢向前。 The Nutcracker is a classic ballet over a century old that has been done in the classical Russian style, modernized by the mainstream art world in the US, and further rethought by contemporary artists. From its original structure by Russian choreographer Marius PETIPA to its evolution into George BALANCHINE’ s version (a Christmas classic), and then on to its contemporary makeovers, such as those by Rudolf NUREYEV and Mathew BOURNE, the ballet has seen both the traditional and the experimental. In 2023, the National Kaohsiung Center for the Arts (Weiwuying), a point of convergence for all kinds of artistic energy, initiated a production of the ballet as a trilogy, bringing together local artists and dancers while using it as a springboard for education and talent fostering. In the spirit of industrial-academic collaboration, students were invited to design the costumes, and we integrated Weiwuying’s Theater Arts and Education Project to bring choral groups from elementary schools in Kaohsiung to the stage. In this way, we jointly created an exclusively Taiwanese piece for the 2025 installation of the trilogy. This Christmas season, Weiwuying once again invites you to step into the fantasy world of the Nutcracker. We will see a girl who is growing up within a blend of reality and fantasy, looking back on her educational path and memories while facing the difficulty of pursuing her dreams and the pressure of life. In a state somewhere between sleep and consciousness, the other characters are at her side as she faces challenges and musters courage, leading her to finally achieve a maturity, tenacity, and beauty akin to that of the Sugar Plum Fairy. In this city that never snows, we still have a Nutcracker dream and are pressing boldly forward. 演出與製作人員名單編舞、編劇｜葉名樺服裝製作顧問｜林璟如指揮｜張尹芳舞台設計｜林劭翰燈光設計｜郭建豪服裝製作指導｜顏良夙服裝設計與製作(2025)｜陳宥妊、鄭詩韻、劉必勝、楊媜方、包愛筠、王若華、吳紀睿、黃宇聰 Choreographer & Playwright｜YEH Ming-hwa Costume Consultant｜LIN Ching-ju Conductor｜CHANG Yin-fang Scene Designer｜LIN Shao-hanLighting Designer｜KUO Chien-haoCostume Supervisor｜YEN Liang-su Costume Design and Production(2025)｜CHEN Yu-jen, LIU Bi-sheng, TNEH Shi-yun, YANG Jhen -fang, PAO Ai-yun, WANG Jo-hua, WU Chi-jui, HUANG Yu-cong 藝術家介紹編舞、編劇｜葉名樺臺灣編舞家及舞者，1983年出生於高雄，畢業於臺北藝術大學舞蹈學院。創作以身體、感官詮釋來思考時間與空間，並以多媒材、跨領域的演出實踐回應敘事與事件。2019-2020年受邀衛武營國家藝術文化中心「四國駐地交流計畫」發表實驗型公共場域創作。2020年受臺北市立美術館委託製作《牆後的院宅》，並獲得第19屆台新藝術獎年度大獎肯定。2022年衛武營「臺灣舞蹈平台」創作開幕演出《跳芭蕾》。 指揮｜張尹芳擅長多元與跨界的演出。2006至2022年於NSO國家交響樂團先後擔任助理指揮及駐團指揮，期間參與策劃、指揮「NSO永遠的童話」年度製作及推廣音樂會，結合舞蹈、偶戲、繪本、傑出畫家與動畫，對於古典音樂教育及推廣不遺餘力。跨界作品曾分別與張艾嘉、王耀慶合作，製作演出結合戲劇與音樂之節目，如《仲夏夜之夢》、《皮爾金》；自 2019 年起，受臺中國家歌劇院之邀，指揮NSO歌劇音樂會《風流寡婦》、音樂劇場《複眼人》以及改編暨指揮室內樂版歌劇《唐懷瑟》，並受衛武營之邀指揮《瘋迷舒伯特》系列及《遇見胡桃鉗的女孩》，均深獲各界好評。近年來曾受邀包括與日本金澤管絃樂團、香港城市室樂團、NSO國家交響樂團等各大樂團，並受邀演出總統府音樂會、臺南藝術節及日本金澤音樂祭。除音樂會演出外，並兼任於輔仁大學、國立臺北藝術大學及國立臺灣師範大學音樂系。 舞台設計｜林劭翰畢業於國立臺北藝術大學劇場設計學系，主修舞台設計，現任初創藝工作室負責人。擅長舞台佈景、空間規畫與視覺整合，致力於將多元創意與戲劇性元素注入各類產業空間。其設計範疇涵蓋劇場表演藝術、道具裝置、運動賽事、品牌活動、展覽會場、公益宣導活動等領域。近期舞台設計作品包括：與如果兒童劇團合作的《超時空總動員》、《超時空總動員2—閃神搶時間》、巧虎大型舞台劇《忍法咻咻碰》、巧虎大型舞台劇《神奇畫筆小畫家》、《小豬探2 教室很有事》；其他作品如愛舞民族舞團《觀心》、小可樂果劇團《綠野仙蹤》、佳音英語劇團《花木蘭》，以及2023年全國歌仔戲比賽《歌仔上青》。 燈光設計｜郭建豪現任衛武營國家藝術文化中心燈光技術組長，國立臺灣藝術大學戲劇學系研究所畢業。曾服務於國家兩廳院演出技術部，負責TIFA燈光技術指導與自製節目燈光設計，近期燈光設計作品有兩廳院 《夏日爵士音樂派對》、《歌劇工作坊─ 頑童與魔法、睡美人、糖果屋、灰姑娘變奏曲》; TEDxTaipei 《The Future is now》;高雄春天藝術節《茶花女》、《少年靈界偵察組》; 2017-2022 總統府音樂會《最南方‧ 思 想起》、《吾鄉風光》、《晨曦‧高雄》、《北回曙光》、《風湧新竹》;衛武營輕歌劇《憨第德》、《被遺忘的瑪麗亞》;國家交響樂團 《風流寡婦》、《蝴蝶夫人》、《音樂的魔法共遊》。高雄雄厲害系列《魂顛記-台灣在地魔幻事件》。歌劇作品《茶花女》及舞蹈作品《Identity》分別入選2017及2022世界劇場設計展(World Stage Design,WSD) 燈光設計專業組。 Choreographer & Playwright｜YEH Ming-hwaBorn in Kaohsiung, Taiwan, Ming-hwa received her BFA in Dance from Taipei National University of Arts in 2006. Ming-hwa maps the dimensions of time and space through the body and senses. In 2019-2020 she was invited in Museum of Human Emotions Project, presented by Centro per la Scena Contemporanea, Bassano del Grappa (IT), La Briqueterie CDCN, Val-de Marne (FR), Saison Foundation (JP), and National Kaohsiung Center for the Arts (Weiwuying) (TW) performed in public space. The House Behind the Wall was commissioned by Taipei Fine Arts Museum, Taiwan at Wang Da Hong House Theatre in 2020 and won the Grand Prize of 19th Taishin Arts Award in 2021. Dancing Ballet, in collaboration with Kaohsiung City Ballet, commissioned the creation of Taiwan Dance Platform, National Kaohsiung Center for the Arts (Weiwuying) in 2022. Conductor｜ CHANG Yin-fangCHANG Yin-fang served as the assistant conductor and resident conductor of the Taiwan Philharmonic (NSO) from 2006 to 2022. She excels in diverse cross-industry collaborations, which have all been widely acclaimed. In addition, CHANG actively contributes to the publication of contemporary Asian music works. In 2018, she was invited to conduct the opening concert of the Asia-Pacific Music Festival and premiered the works of several composers.Her recent appearances include conducting notable new productions, such as The Man with the Compound Eyes and Tannhäuser (chamber version), as well as 24 Hours SCHUBERT and The Ballet Concert - Into the Fantasy of Nutcracker at Weiwuying, all of which received widespread critical acclaim. In recent years, CHANG has been invited to collaborate with Orchestra Ensemble Kanazawa, City Chamber Orchestra of Hong Kong, Taipei Chinese Orchestra, Taiwan Philharmonic (NSO), Tainan Symphony Orchestra, and Kaohsiung Symphony Orchestra. In addition to her conducting career, she also teaches at Fu Jen Catholic University, Taipei National University of the Arts, and National Taiwan Normal University. Scene Designer｜LIN Shao-hanGraduated from the Department of Theatrical Design & Technology at the Taipei National University of the Arts with a major in scene design, LIN is currently the director of the Origin Creatives. He specializes in stage scenery, spatial planning, and visual integration, dedicated to infusing diverse creativity and dramatic elements into spaces across various industries. His design expertise spans theatrical performing arts, prop installations, sporting events, brand activations, exhibition venues, and public awareness campaigns. Recent performing arts design projects have focused on children’s theater, Taiwanese opera, and dance. Lighting Designer｜ KUO Chien-haoKUO Chien-hao discovered his first lighting design at the National Taiwan University of Arts where he graduated in drama, and later received his MFA degree. He holds over 20 years’ experience as a professional lighting technician and designer. His lighting design works include Summer Jazz, Opera-Studio series for NTCH, TEDx Taipei, Kaohsiung Spring Arts Festival -Verdi’s La Traviata, The Hero Academy I & III, 2017-2021 Concert of the Presidential Office, Weiwuying opening season - Bernstein’s Candide, and National Symphony Orchestra Opera Concert - Lehar’s Die lustige Witwe, Puccini’ s Madama Butterfly. KUO’ s work “La traviata” and dance production “Identity” were selected for 2017 and 2022 World Stage Design, Professional designers-Lighting design category. He is now the head of the lighting team in National Kaohsiung Center for the Arts (Weiwuying).藝文支持 / Arts Supporting