《我的時光機》｜TTXC XR DREAMLAND My Time Machine

我的時光機 My Time Machine臺灣Taiwan｜2026｜互動VR Interactive VR｜23min｜無對白 No Dialogue｜中文、英文字幕 Mandarin, English Subtitles | 普遍級 G★ 世界首映 World Premiere阿丹是一名亞斯伯格症少年，成長於第一次世界大戰後的富裕家庭，自幼沉浸於數學與物理的世界。一次偶然的機會，他在舊書攤發現赫伯特・喬治・威爾斯的《時光機》，從此開啟了對時間旅行的夢想。阿丹相信，只要製造出時光機，便能前往未來，於是將自己封閉於破舊穀倉中。多年後，他終於完成時光機，並設定目的地為西元2026年，卻在啟動瞬間發生爆炸。當阿丹試圖離開穀倉，卻發現門外被泥牆阻擋，門上還留有母親刻下的訊息。當他從窗戶爬出，眼前的車輛、飛機與高樓令他驚喜不已。他究竟是隨著歲月推移自然抵達了未來，還是成功地穿越了時空？Adam is a young boy with Asperger’s syndrome who grows up in a wealthy family in the aftermath of World War I. Inspired by H. G. Wells’ The Time Machine, he dreams of traveling to the future and isolates himself in an old silo to build a time machine. Years later, he finally completes it and sets the destination to the year 2026, but it explodes upon activation. As Adam leaves the silo, he discovers a mud wall and a message carved by his mother. Stepping outside, he is astonished by the sight of cars, airplanes, and skyscrapers. Has he simply reached the future through the passage of time, or has he truly traveled through time and space?李俊逸 LEE Chun-i李俊逸為創作者、研究者與教育者，現任國立臺灣藝術大學多媒體動畫藝術學系教授兼系主任，並主持遊戲實驗室。曾任美國喬治亞理工學院訪問學者，作品《Eleanor of Ayer》曾榮獲 Vision Summit VR/AR「Best AR Experience」，並入圍 IndieCade。Chun-I Lee is a creator, researcher, and educator. He is Professor and Chair of the Department of Multimedia and Animation Arts at the National Taiwan University of Arts and directs the Experimental Game Lab. A former visiting scholar at Georgia Tech, his work Eleanor of Ayer won the Best AR Experience award at Vision Summit VR/AR and was nominated for IndieCade.“ 這是一部無對白的 6DoF VR 動畫，靈感來自契克森米哈伊的「心流理論」。主角阿丹畢生執著於打造時光機，因此未曾察覺自己隨時間流逝來到未來。觀眾可自由探索空間，從細節中拼湊故事。而聲音設計是作品的另一項核心元素，環境聲、音樂與空間音訊不僅承擔敘事功能，也引導觀眾的視線與移動。透過視覺與聲音的交互作用，我希望邀請觀眾反思：在執著追夢的路上，我們究竟錯過了什麼？ ”“ Inspired by psychologist Mihaly Csikszentmihalyi’s concept of “flow,” the work follows Adam, who dedicates his life to building a time machine and fails to realize that he has arrived in the future through time’s passage. Audiences may explore the virtual space and piece together the story through details. Sound design supports the narrative and guides audience attention and movement. The work invites viewers to reflect on what we might have missed along the way. ”☆.。.:・°☆.。.:・°☆.。.:・°☆.。.:☆.。.:・°☆.。.:・°☆.。.:・°☆.。.:☆.。.:・°☆.。.:・°☆.。.:・°☆.。.:＼ 高雄電影節：抓馬人間 ／ 🫸 𝟐𝟎𝟐𝟔𝑲𝑭𝑭 : 𝑫𝒓𝒂𝒎𝒂𝒍𝒂𝒏𝒅 🫷✮ 選片指南 𝟶𝟿.𝟷𝟿 𝚂𝚊𝚝. ｜全面開賣 𝟶𝟿.𝟸𝟶 𝚂𝚞𝚗. ｜影展放映 𝟷𝟶.𝟶𝟿 𝙵𝚛𝚒. - 𝟷𝟶.𝟸𝟼 𝙼𝚘𝚗. ✮ 官方網站 https://www.kff.tw ✮ IG最抓馬 https://pse.is/kffig ✶ FB看這裡 https://pse.is/kffb