【女性影展】莫那岡貝：自由的吶喊 + 桑比贊加 【2026 WMWIFF】Monangambééé + Sambizanga

莫那岡貝：自由的吶喊 Monangambééé安哥拉、阿爾及利亞 Angola, Algeria｜1969｜DCP｜B&W｜16min 1971 坎城影展｜2024 芝加哥藝術博物館 一名安哥拉政治犯遭殖民政府監禁，妻子探監時說下次帶來「全套」，竟被獄卒誤認為革命暗號。一個尋常用語，瞬間引爆猜忌，招來殘酷審訊刑求。這場因誤解而生的悲劇，徹底暴露殖民者對當地文化跟語言的無知，並揭示恐懼作為暴力的根源。 本片為莎拉・馬爾多羅首部執導作品，已顯現日後鮮明風格：捨棄革命電影慣見的英雄稱頌、激烈戰鬥與直白說教，而是從受難者身體與日常經驗出發，將抗爭意志凝練為詩性影像。片名意指安哥拉解放戰士的集結口號，由「美國芝加哥藝術合奏團」演奏的前衛配樂，在爆裂與寂靜之間游移，宛如另一具受迫而不屈的身體，讓非洲反殖民與美國黑人解放運動，於自在節拍下跨洋共振。 An Angolan political prisoner is brutally interrogated after a guard mistakes his wife’s ordinary remark for a revolutionary code, exposing colonial ignorance and fear as engines of violence. In her directorial debut, Sarah Maldoror rejects heroic spectacle and didacticism, approaching resistance through the persecuted body and everyday life. Art Ensemble of Chicago’s free-jazz score moves between eruption and silence, forging a transatlantic resonance between African anti-colonial struggle and the African American freedom movement."桑比贊加 Sambizanga安哥拉、法國 Angola, France｜1972｜DCP｜Color｜98min1973 柏林影展｜2021 義大利波隆那再發現影展1961年安哥拉獨立戰爭爆發前夕，一名拖拉機司機忽然被祕密警察粗暴逮捕，送入首都監獄。妻子見丈夫下落不明，揹著襁褓中的嬰孩四處尋找。從鄉村到城市、從家門到獄門，這趟尋夫之旅也串起一場蓄勢待發的民族解放運動。 莎拉・馬爾多羅首部劇情長片，與伴侶馬里奧・德安德拉德（安哥拉人民解放運動領袖）共同編劇。片名意指首都的一個工人階級社區，居民正為起義醞釀，準備攻打監獄劫囚。電影拍攝時，安哥拉仍深陷獨立戰爭泥淖，然而片中不見直接的革命呼籲、陽剛的戰鬥場面，反而以女性的積極奔走為軸，交織鄰里的隱密互助，在日常中形塑抵抗。名導馬丁・史柯西斯盛讚本片鮮活而富含觸感的影像深具力量，如長河般悠遠流淌。On the eve of Angola’s War of Independence, a tractor driver is arrested by the secret police, while his wife sets out with their infant to search for him. Sarah Maldoror’s first feature transforms this journey into a quietly powerful portrait of anti-colonial resistance, centering a woman’s perspective and everyday solidarity over heroic battles or revolutionary rhetoric. Named after a working-class district in Luanda, the film possesses a rare power, with its vivid, tactile imagery inseparable from its emotional force. 焦點影人：莎拉・馬羅多羅 Master in Focus: Sarah Maldoror黑人女性導演先驅莎拉・馬爾多羅（1929-2020），以反殖民經典《桑比贊加》，成為世界女性電影史與非洲電影史的重要一頁，也讓他被冠上「非洲電影之母」或「革命電影作者」等稱號。然而真正走近作品，會發現這些標籤既正確也不足。馬爾多羅一生創作四十餘部作品，創作軌跡緊貼二十世紀重要社會思潮與政治運動──黑人性、反殖民、泛非主義、女性主義等，回應當前最迫切的需求與渴望，不懈記錄人民爲追尋平等與自由迸發的生命吶喊。他立足於黑人意識，卻不限於單一國族，而是在非洲、歐洲與黑人離散之間，建立自己的電影語言。持續穿梭、流動於多種身分、國界與形式，用電影實踐自由與反抗。生於法國，創作生涯始於劇場。深信「黑人不能只演女僕」，於1950年代共同創辦巴黎首個全由黑人演員組成的劇團，後赴莫斯科學習電影製作。1960年代投身非洲獨立運動浪潮，丈夫為安哥拉人民解放運動領袖、詩人，馬爾多羅的電影亦與政治參與發展出密不可分的關係。然而，其作品又溢出「革命電影」一詞。他拍武裝革命，卻避開英雄與奇觀；他關心政治，更警惕教條，曾言「吸引我的並非英雄，而是日常」。鏡頭下的革命，更多是發生在人民的勞動、歌唱與鄰里互助之間，心繫女性的參與、文化的延續與語言的重生。他記錄黑人詩人、思想家，也關注穿梭於街坊的掃地工、愛足球的饒舌少年，對生命的熾熱關懷始終貫穿作品。其精神導師艾梅・塞澤爾曾寫詩相贈，或許足以成為他一生的貼切註腳：「手持攝影機，對抗壓迫、異化，並公然挑戰人性的狗屎爛事。」本單元希望呈現的，正是這樣一位無法被定義的作者、倡議者、詩人。透過這次選映的12部作品，從革命到日常，從劇情、紀錄到詩性表現，梳理出馬爾多羅的豐富樣貌。Sarah Maldoror (1929-2020), a pioneering filmmaker, secured a place in the histories of women’s cinema and African cinema with the anti-colonial classic Sambizanga. The film earned her titles “Mother of African Cinema” and “revolutionary auteur”. Yet these labels are never quite sufficient. With over forty films to her name, her body of work closely accompanies the major intellectual and political movements of the 20th century—Négritude, Pan-Africanism, feminism, and communism—tirelessly documenting the people’s struggle for liberation. Born in France, she began her career as a theater-maker, co-founding a theater company, Les Griots—the first theatrical troupe in France composed entirely of Black actors in the 1950s, before studying filmmaking in Moscow. She later joined Africa’s anti-colonial struggles and became a key figure in pan-African cinema. Despite being deeply committed to the liberation movements in Africa with her companion, the MPLA poet and founder, Mário Pinto de Andrade, her work eschewed propaganda and heroic spectacle, locating revolution in labor, song, neighborhood solidarity, women’s participation, cultural continuity, and everyday lives. Throughout her life, she continually crosses identities, borders, and cinematic forms, using cinema as a tool of pursuing freedom and resistance. Rooted in Black consciousness yet spanning across Africa, Europe, and the Black diaspora, she forged a singular cinematic language. Perhaps no words better capture her life’s work than her mentor Aimé Césaire dedicated to her: “To Sarah Maldoror, who, camera in hand, fights oppression, alienation, and flies in the face of human bullshit.” 本單元特別感謝莎拉・馬爾多羅與馬里奧・德安德拉德之友協會及其創辦人安努奇卡德・安德拉德的協助與促成。 This program was made possible with the help and immense support of the Friends of Sarah Maldoror and Mario de Andrade Association and Annouchka de Andrade.—— ⟡.·𓂃 第 𝟑𝟑 屆台灣國際女性影展 𓂃·.⟡ —— 𝟏𝟎 / 𝟏𝟔 - 𝟏𝟎 / 𝟐𝟓 光點華山電影館 𓋒﹏非 分 擾 動﹏ Into the Drift✺ 女影 IG｜https://www.instagram.com/wmwiff/ ✺ 女影官網｜http://www.wmw.org.tw/ ✺ 專書電子版｜https://bit.ly/4dzOsyW