春美歌劇團《伽羅香》 Chun-Mei Taiwanese Opera Troupe - The Scented Mirage

春美歌劇團《伽羅香》 — OPENTIX兩廳院文化生活

一抹伽羅香　千秋海月沉

「伽羅」——沉香中的極品，被譽為「香中之王」， 犁靬女王之名 。五色煙影繚繞，據聞一縷可安神，亦能魅惑，亦可引人沉入長眠。

當鋼鐵軍魂對上柔情異香，是英雄背叛了國家，還是靈魂終於選擇自由？

先王驟然駕崩，繁華都城落入一場預謀已久的權力清洗。繼承人獨孤海棠以秩序為名，宣告昔日戰功赫赫的將領安敦寧為受妖女擺布的叛徒。在狡詐的政治算計下，這位曾為帝國開疆闢土的戰神，竟成了被用來鞏固權位的犧牲品。

在那片充滿伽羅香氣的異域色彩，安敦寧遇見了傳聞中豔名遠播的「妖女」——犁靬女王東方伽羅。然而，迎接他的卻不是傳聞中那樣誘惑的溫柔鄉，而是女王守護國土的政治野心與和平共治的宏大願景 。她用一份不被承認的血脈真相，喚醒了安敦寧血液裡沉睡已久的尊嚴。

面對冰冷的聯姻與帝國的枷鎖，安敦寧選擇了最壯烈的叛逃，斬斷權力的索繩，跨海奔向那個真正懂他軍魂的東方。

2026年春美歌劇團年度大戲《伽羅香》母女雙小生掛帥領銜演出！

由傳藝金曲獎最佳演員郭春美團長領軍主演一身忠烈軍魂的將軍安敦寧，深陷國家、感情和自我意志的的纏鬥，最終殺出自己的道路；傳藝金曲獎最佳新秀獎得主當家小生孫凱琳飾演權謀狡詐，卻在世人眼中形象清明的先王義子孤獨海棠，精準算計人心，用輿論掀起國家巨浪；當家小旦簡嘉誼挑戰傳聞中的美豔妖后東方伽羅，破除美貌禍國迷思，大展女王氣場！

The scent of Kyara, the sinking of an empire.

Kyara — supreme agarwood, the “King of Scents.” Its five-colored smoke can soothe, beguile, or lull into deep slumber.

When a soul of iron meets an exotic scent: is it a hero betraying his nation, or a soul claiming freedom?

Following the sudden death of King Xisa,  the capital falls into a cold, calculated power struggle. The successor, Dugu Haitang, uses “order” as his weapon, branding the valiant general An Dunninga traitor under the spell of a foreign queen. In this ruthless game, the hero who helped build the Empire is reduced to a pawn to be sacrificed for a new ruler’s ambition.

In that exotic land, filled with the rich aroma of Kyara (Agarwood),  An Dunning encounters the renowned Queen Dongfang. But she is not the seductress the rumors claim. Hidden in her rug, she unveils a grand vision of shared peace and sovereign power, guided by her political ambition to protect her land. By showing him a truth the Empire tries to hide, she awakens a dignity in An Dunning that had long been buried.

Confronted with a cold marriage and the restraints of empire, An Dunning breaks free from the bonds of power and forges a new path. In a daring move, he runs toward the East—the only place that truly understands his soul.

Chun-Mei Taiwanese Opera Troupe reimagines the legendary story of Antonius and Cleopatra, led by Golden Melody Award–winning performers, including an exceptional mother–daughter leading duo.

Led by KUO Chun-mei as General An Dunning, a warrior torn between loyalty to his nation, the pull of love, and his own will, ultimately forging his own path. Opposite him, SUN Kai-lin portrays Dugu Haitang, the adopted son of the former king—outwardly upright yet masterful in political intrigue, manipulating public opinion to stir the tides of a nation. Completing the trio, JIAN Jia-yi appears as Queen Dongfang, the legendary Eastern queen whose beauty became the subject of myth, here reimagined not as a femme fatale but as a powerful ruler commanding her own destiny.

演出暨製作人員名單

製作人｜郭春美

導演｜宋厚寬

編劇｜李季紋

戲劇顧問｜林鶴宜

音樂設計｜周煌翔

舞台設計｜陳瓊珠

服裝設計｜徐祥峯

燈光設計｜宋永鴻

武術指導｜張書宇

肢體設計｜陳芝藟

舞台監督｜程楚心

舞台技術指導｜周志瑋

燈光技術指導｜邱郁雯

執行製作｜朱泓澄

行政統籌｜王紫妍

主演｜郭春美、孫凱琳、簡嘉誼

演出單位｜春美歌劇團

Producer｜KUO Chun-mei

Director｜SUNG Hou-kuan

Playwright｜LEE Ji-wen

Dramatic Advisor｜LIN He-yi

Music Designer｜CHOU Huang-hsiang

Stage Designer｜CHEN Qiong-zhu

Costume Designer｜HSU Hsiang-feng

Lighting Designer｜SUNG Yung-hung

Martial Arts Coach｜CHANG Shu-yu

Movement Designer｜CHEN Zhi-lei

Stage Manager｜CHENG Chu-hsin

Head of Stage｜CHOU Chih-wei

Production Electrician｜CHIU Yu-wen

Managing Producer｜JHU Hong-cheng

Managing Director｜WANG Tzu-yen

Leading Actor｜KUO Chun-mei, SUN Kai-lin, JIAN Jia-yi

Performance Group｜Chun-Mei Taiwanese Opera Troupe

團隊介紹

春美歌劇團

由歌仔戲名小生郭春美於2000年創立於高雄，一向以「創新求變、引領潮流」為特色，演員觀眾均以年輕質優著稱。平日以接演各大節慶廟會為主，民戲（廟口歌仔戲）演出每年約二百場，亦常受邀參加各地文化藝術公演及匯演活動，足跡遍及全臺。2004年起連續23年獲選為文化部國家級扶植團隊，近年獲獎紀錄：2009年《將軍寇》入圍第四十四屆電視金鐘獎—傳統戲劇節目獎；2012年《夜王子》被提名第十一屆台新藝術獎；2017年《彼時我在等你》入圍傳藝金曲獎第28屆最佳年度表演團體獎；2019年《聶采霞的心》入圍傳藝金曲獎第30屆最佳年度表演團體獎；2019年《聶采霞的心》榮獲傳藝金曲獎第30屆最佳傳統影音專輯出版獎及《咫尺天涯》榮獲傳藝金曲獎第30屆最佳音樂設計獎；2021年和金枝演社合作以《雨中戲臺》入圍傳藝金曲獎第32屆最佳年度表演團體獎。

郭春美

郭春美出生於高雄歌仔戲世家，自孩童起便粉墨登場，十六歲就在自家戲班擔任小生，後來被延攬至中視主演電視歌仔戲《大漢中興》、《義薄雲天》等劇，以風流俊逸、俠骨柔情的逍遙公子「白雲天」一角，風靡全臺，吸引了無數觀眾。目前為春美歌劇團團長暨當家小生，憑著出色劇藝，深受各地觀眾喜愛。被媒體譽為「歌仔戲新偶像，魅力不下柏原崇」、「歌仔戲界的金城武」，更將其與日本寶塚歌劇團首席娘役相提並論。其扮相風流俊俏，身段架勢俐落，演技爐火純青。

2007年，現代爵士音樂人蘇通達邀請了郭春美跨刀合作以傳統歌仔戲七字調、十一字都馬調等加以混音、全新編曲製作的全新專輯《我身騎白馬》，其創新風格獲得傳統歌仔戲界及音樂製作界多數好評。

2010年榮獲第十六屆「全球中華文化藝術薪傳獎」,2012年於臺灣上映的電影《龍飛鳳舞》首次主演電影，並入圍第49屆金馬獎最佳新演員獎；2014年高雄文藝獎得主；2016～2019連續四年入圍傳藝金曲獎最佳演員獎。

2021榮獲傳藝金曲獎最佳演員獎。

孫凱琳

扮相帥氣，允文允武，表演全面，是不可多得聰慧的歌仔戲青年小生演員，近期更將觸角伸及導演與編劇領域。

在舞臺上或眾多角色裡，無論是小孩或是老鴇三花，乃至英勇武生到帥氣小生，都能演得有模有樣，嗓音厚實，行腔轉韻能化用技巧處理得宜，得見人物心境層次

表演總能從人物出發，充分展現個人詮釋風格魅力

挑戰各種形式表演，多次參加電視、電影演出，代表作品《台灣奇案》、《龍飛鳳舞》

2017年受邀主演第四屆大稻埕青年戲曲藝術節《美男子竇蓮魁》

2019年獲頒台北西區扶輪社「台灣文化獎」最佳小生獎

2019～2021連續三年入圍傳藝金曲獎最佳個人表演新秀獎

2021榮獲傳藝金曲獎最佳個人表演新秀獎。

簡嘉誼

出身歌仔戲世家，自小受歌仔戲薰陶，扮相嬌美出眾，出落得亭亭玉立，在學習與模仿上有高領悟力，演起戲來認真投入。這幾年師承京劇小天后黃宇琳，身段進步很多,從《周瑜》大喬，到《青春美夢》美智子、《彼時我在等你》王蕙蓮、《放逐的愛》杜鈺仙、《聶采霞的心》聶小倩、《兵臨城下》伯楚鈺、《甲你攬牢牢》沈香蘭、《陽關雪》的雲素秋、《最後之舞》的白雪麗，到《桃花謎》的李湘雲，演技唱腔令人驚豔，表現益發亮麗，是顆愈琢愈亮的明星。

2021受邀至臺灣戲曲中心小表演廳，擔任承功新秀舞台新秀之一,主演《關公出世》。

導演｜宋厚寬

國立臺北藝術大學劇場藝術創作研究所碩士、戲劇學士，臺北海鷗劇場團長。編導作品跨足現代劇場與傳統戲曲：歌仔戲、京劇、布袋戲皆有其創作身影。編導作品《國姓之鬼》 獲得第二十二屆台新藝術獎之「表演藝術獎」，第三十五屆傳藝金曲獎之「最佳導演獎」與廣藝基金會「雲舞台獎」。導演作品《大俠百草翁前傳》獲34屆傳藝金曲評審團獎。曾任教於臺北藝術大學與臺灣大學。

作品精華——現代戲劇：《早安主婦》、《茗王—臺灣茶業之父李春生》、《彼時未見》、《海鷗》、《申生》。歌仔戲：《轉生到異世界成為嘉慶君，發現我的祖先是詐騙集團？！》、《劍影孤戀》、《借名》、《旗亭風雲—盜情》、《化作北風》、《沖宵樓》。布袋戲：《豬母娘娘武聖爺》、《鬼谷：第零部》、《絕色女妖》、《家事修理會社》、《ＧＧ冒險野郎》。戲曲跨界：《女子安麗》、《海鷗之女演員深情對決》。

編劇｜李季紋

戲劇教師、劇作家、導演、戲劇製作人。中央戲劇學院表演系博士，國立藝術學院（現國立臺北藝術大學）戲劇系藝術碩士，現職為樹德科技大學通識教育學院與表演藝術系合聘助理教授。擅長跨文化、性別議題與經典重構題材，調風弄月中展現人性的溫度、細膩幽微的情致，與當代性的價值思辨，使得其作品總能呈現為一種具有深度、情趣與原創性的舞臺。

代表作《1399趙氏孤兒》採用後設結構，將歷史劇置於歷史舞臺，重現元雜劇蒼勁豪邁的演出盛況，並賦予此劇與當代觀眾對話的意義。於第30屆傳藝金曲獎獲得4項提名（最佳團體演出、最佳編劇、最佳音樂設計、最佳個人表演新秀），並榮獲最佳編劇獎。《聽琴圖》將圖紙在舞台上鮮活呈現，延伸北宋畫院與經典文學《水滸傳》的連結與想像，演繹亂世紅塵中的非古典愛情，入圍第34屆傳藝金曲獎最佳青年演員、最佳演員兩項大獎。

Chun-Mei Taiwanese Opera Troupe

Founded in Kaohsiung in 2000 by the acclaimed Sheng (male lead) virtuoso Kuo Chun-mei, the Chun-Mei Taiwanese Opera Troupe is defined by its relentless spirit of innovation. A trendsetter in the contemporary scene, the troupe maintains a vibrant presence at traditional festivals while consistently pushing the boundaries of the art form through sophisticated, large-scale theatrical productions. Renowned for its bold storytelling and avant-garde staging, the troupe’s annual premieres are highly anticipated events that continue to captivate audiences and redefine the landscape of Taiwanese Opera.

KUO Chun-mei

Born into a renowned Taiwanese Opera family in Kaohsiung, KUO Chun-mei stepped into the spotlight in early childhood and assumed the mantle of the leading male role (Sheng) at just sixteen. Her career reached national heights through her captivating performances in television operas such as The Great Han Restoration and Justice and Honor. Her portrayal of the charismatic and chivalrous protagonist “Bai Yun-tian” became a cultural phenomenon, winning the hearts of audiences across Taiwan.

A visionary artist, she collaborated with jazz musician Su Tong-da in 2007 on the pioneering crossover album I’m Riding a White Horse, earning widespread acclaim for blending traditional vocals with modern arrangements. Currently the leader and principal Sheng of the Chun-Mei Opera Troupe, she was honored with the Best Actor of the Year award at the 2021 Golden Melody Awards for Traditional Arts and Music for her masterful performance in Rain on the Stage. Celebrated by the media as the “Idol of Taiwanese Opera” and compared to international icons like Takeshi Kaneshiro and the top stars of Japan’s Takarazuka Revue, her artistry is characterized by a dashing stage presence, refined movement, and a depth of acting that reflects a lifetime of mastery.

SUN Kai-lin

Immersed in the melodies of Taiwanese Opera since infancy, Kailin SUN first garnered widespread acclaim with a poignant Duma aria as Xiao Jian-feng in Hate Locked in a Dream of Heaven. Her talent extends beyond the stage to the screen, with notable appearances in the television series Taiwanese Strange Stories and the acclaimed film Flying Dragon, Dancing Phoenix.

A multifaceted performer, Kailin SUN is celebrated for her “civil and martial” versatility. She is equally compelling as a dashing male lead (Sheng) and as comedic relief (Sanhua), bringing both charisma and impeccable timing to the stage. In recent years, she has further expanded her artistic horizons into playwriting and directing, embracing a comprehensive range of creative challenges. Her excellence has been recognized with the 2019 Taiwan Culture Award for Best Male Lead_(Sheng)_, followed by the prestigious Best New Performer award at the 2021 Golden Melody Awards for Traditional Arts and Music (GMA-TAM).

JIAN Jia-yi

Raised in the heart of a Taiwanese Opera family, JIAN Jia-yi’s life has been inextricably linked to the stage. She is celebrated not only for her striking beauty and elegance but for her meticulous dedication to the art. Her pursuit of excellence has led her to refine her skills under the guidance of Peking Opera star Huang Yu-lin, blending traditional techniques with contemporary sensitivity.

A leading figure of the Chun-Mei Opera Troupe since her 2012 debut in Prince of the Night, she has commanded the stage in a vast repertoire of leading roles. From the intrigue of The Gold Detective (2014) to the emotional complexity of The Last Dance (2022), her work reflects a continuous mastery of both drama and song. Following her selection for the 2021 “Chenggong” (Succession) Rising Star showcase at Taiwan Traditional Theatre Center, she continues to push the boundaries of the genre, shining as a beacon of talent in the traditional arts

Director： SUNG Hou-kuan

SUNG Hou-kuan is the Artistic Director of Taipei Seagull Theatre. He holds both an MFA and a BFA in Theatre Arts from the Taipei National University of the Arts (TNUA). A dedicated educator in the field, he has previously served as a lecturer at both TNUA and National Taiwan University.

Awards & Expertise Sung’s directorial and writing work seamlessly spans modern theatre and traditional opera, including Taiwanese Opera, Peking Opera, and Glove Puppetry. He is recognized for his ability to innovate within traditional forms, earning him significant acclaim: _Who’s Koxinga ? ：_Winner of the Performing Arts Award (22nd Taishin Arts Awards) and Best Director (35th Golden Melody Awards for Traditional Arts and Music).

The Prequel of hero Tāi-kiap Pik-tshó-ong: Winner of the Jury Prize (34th Golden Melody Awards for Traditional Arts and Music).

Playwright：LEE Ji-wen

Lee Ji-wen is an Assistant Professor at Shu-Te University, serving both the General Education College and the Department of Performing Arts. She holds a PhD from the Central Academy of Drama (Beijing) and an MFA from the National Institute of the Arts (now TNUA).

Awards & Expertise As a playwright and director, Lee specializes in cross-cultural narratives, gender issues, and the reconstruction of classical texts. Her work is noted for its psychological depth and the delicate exploration of human nature within contemporary philosophical frameworks.

The Orphan in 1399: Winner of Best Playwright at the 30th Golden Melody Awards for Traditional Arts and Music. The play was highly praised for its meta-theatrical structure that bridges historical drama with contemporary dialogue.